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Ursprungligen postat av
oyto
Ett annat intressant syntax error bör Black Panther bli.
Såhär skriver LAtimes om blockbustern
Black Panther
http://www.latimes.com/entertainment...208-story.html
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The lineup of black talent in front of and behind the camera, unprecedented for a movie of this scale, has already established Coogler's [regissören] film as a standard-bearer for black representation in Hollywood. Even the setting — the fictional African country of Wakanda, a tech-forward tribalist nation that has long kept its advances, and its stockpiles of the powerful metal vibranium, secret from the outside world — is revolutionary in the comic book genre.
Coogler's world-building is transporting and vibrant, weaving the DNA of African cultures into the fabric of the film [..] But it's within the fraught dynamic between the hero and his primary adversary where "Black Panther" deftly explores subversive and probing concerns around race, history, heritage and identity.
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"Most African Americans have had a moment where they're like, 'I know I'm of African descent — but I don't have that connection,'" said the South Carolina-born Boseman. "That's something that needs to be healed. That's something that's broken and has to be made whole. That conflict within the movie, and the conflict between an African American and his African [counterpart], is one that has existed since colonialism and since slavery."
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He's excited for young people, especially young black men and women, to see themselves reflected onscreen. "The thing that I've noticed is that I have brothers from the continent — people from Nigeria and Mozambique, Sierra Leone, Senegal, South Africa — coming up to me and saying, 'I know you're from here, but you represent what we are back home.' It's touching to me that they get to see an African character onscreen and that they identify with him."
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But people of all ages and walks of life will leave the theater with what they bring to it, he muses. "There are also a lot of little white kids that are excited about 'Black Panther' — who I've seen in Black Panther costumes, who want autographs and toys signed — kids that are Asian, Latino," he said. "There's no limitation on ethnicity and gender or even age. All of that is humbling, to say the least."
oyto skriver: "
Hur lätt det än är att kritisera identitetspolitiken, så kvarstår faktum att framtiden kommer ägas av identitetspolitik. De givna förlorarna är inte dess hycklande kritiker som bedriver sin egen identitetspolitik genom att undergräva andras, utan de individualister som låter sig luras att politik inte handlar om konkurrenade kollektiva särintressen och lojaliteter."
Vilket är en träffande beskrivning över hur denna film kommer påverka tillvaron. Denna film som slagit rekord i antal sålda förköpsbiljetter. De progressiva vänsterliberalerna kommer hylla denna film till skyarna because its black, men det kommer ge ett självvederläggande resultat med risk för den egna kulturens undergång.
Men, detta är ett gyllene tillfälle för svensken att markera sin egna existens och Sveriges unika plats i världen. Black panther ger legitimitet åt tribalism och är en spegel av alt-right rörelsen:
https://squawker.org/culture-wars/bl...eo-nazis-hero/
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The Alt-Right Has a New Hero and it’s Black Panther
What many conservatives will quickly realize upon a closer inspection of Wakandan culture is that the character of T’Challa [Black Panther] resembles the socio-political worldview of the alt-right.
Black Panther is not a character whose backstory, morals, or goals will cater to globalists, multiculturalists, or SJWs.
Black Pidgeon Speaks, a cultural commentator whose YouTube channel boasts over 200k subscribers, points out several tenants of Black Panther’s character that paints a portrait of T’Challa as a “hero of the alt-right.”
Firstly, Black Panther is anti-globalist. Black Panther’s moral coda is steeped in a strong nationalistic conviction that constantly places the wellbeing of his people’s history, culture, and identity over any external attempts at opening up the culture and economy of Wakanda, the fictional African country in the Marvel universe. Wakanda is a hierarchal society that’s intentionally racially homogeneous, and its immigration policy is essentially isolationist. Other cultural influences are not permitted within Wakandan borders, as Black Panther believes them to be harmful to the wellbeing of his people. The Wakandan King enforces these policies through a culturally entrenched military, the Hatut Zerzae (a former secret police force turned mercenary group) & the Dora Milaje (the King’s all-female Praetorian Guard). In this sense, T’Challa expresses strikingly neo-Nazi tendencies.
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Instead of globalism, Wakanda is an isolationist country. The patriarchal monarchy of Wakanda thrives on the backs of traditional family units, with T’Challa himself being a straight male with a positive relationship with his father, who had been married to a woman. Instead of collective values or socialism, the T’Challa goes as far to destroy his country’s main export of vibranium, so that his people would become hard working individuals and not rely on external income. This is Fascism 101: state dominance of the economy.
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Based on these elementary observations, it is abundantly clear that Black Panther is indeed, as Black Pidgeon Speaks puts it, a hero of the alt-right. Personifying a political philosophy often associated with the Dark Enlightenment, Black Panther and the nation of Wakanda exemplifies a nationalist socialist’s utopia. In short, T’Challa is basically Hitler when it comes to ruling his country, and neo-Nazis everywhere are looking forward to seeing their favourite totalitarian, monarchist, nationalist, isolationist, chauvinist, racially homogeneous superhero hit the big screen in 2018.
Och precis som du säger oyto, så hör framtiden till stammarna.
H&M's nya klädmärke /Nyden, som riktar sig till 'millenials' använder sig utav sociologi, filosofi, tribalism och framtidstechno i formandet av sitt varumärke.
https://www.thecut.com/2017/12/oscar...=sharebutton-b
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Meet Oscar Olsson, the mind behind H&M’s new brand for millennials.
“It is so ingrained in me to act first, and then speak,” said Olsson in the weeks leading up to the early 2018 launch of /Nyden, H&M’s innovative new brand for millennials and Olsson’s brainchild. “I also don’t like narcissism,” Olsson added, his various tattoos including Viking hieroglyphs, squares, and a lion, visible beneath a black Calvin Klein T-shirt. “I don’t like to push things on people. On another level, I don’t believe in objective truth.”
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More importantly, Olsson believes that in the future, there will be “no such thing” as fashion brands — at least in the traditional sense, where one creative mind like Lagerfeld, Versace, or even someone like himself sits at the helm. Instead, fashion will be broken up into tribes, each with their own creative, influential, style-defining tribe leaders.
“In this future society, as any brand or any kind of provider of anything, you need to embrace the fact that the power is not in your hands,” Olsson declared. “The power has shifted to what we call tribes.”
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“Tribalism, it’s always worth remembering, is not one aspect of human experience. It’s the default human experience,” wrote Andrew Sullivan in his recent New York article on political tribalism in America. “It comes more naturally to us than any other way of life.”
According to Olsson, when the internet was invented, it made us lose sight of this innate desire for tribalism — promoting the plight of the individual instead. At the same time, it also made forming and joining groups easier than ever before, which is why digital spaces still have the power to bring tribalism back. We just have to want it, and in more ways than it already exists.
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While the strategy, vision, and philosophy of /Nyden is super rigid, Olsson claims its tactics are fluid, meaning that, if necessary, he and his team can shift gears at a moment’s notice if things aren’t working. “The future, digital world is super chaotic;” Olsson explained, suggesting that in its own way, /Nyden is too. “You can’t steer it.” It is not a question of whether or not it will work. Rather, will you or won’t you get onboard?
Mångkultur i sin renaste form är respekt och acceptans för olika kulturers existens. Mångkultur är inte att röra ihop alla kulturer till en grå sörja för att därmed förstöra den mänskliga identiteten. Den sociala människan behöver den sociala gruppen, och den sociala gruppen har en viss kultur och jargong. Äkta mångfald är inte en global grå monokultur, äkta mångfald är det unika samhället med den lilla människan.
I tider av accelerationism så gäller det anamma identitetspolitiken och maxa dess effekt. Maxa mångkulturens ideal och Sverige och svenskarna får ha sin plats i världen ifred.