Live By Night - Ben Affleck (2017)

THR – David Rooney

Adult male audiences with an appetite for old-school gangster action might be intrigued, but anyone hoping this would join the ranks of distinctive Prohibition thrillers like The Untouchables, Miller’s Crossing or Once Upon a Time in America will find it lacks the teeth of those films, even though it doesn’t stint on bloodshed.


Variety – Owen Gleiberman

Based on a 2012 novel by Dennis Lehane, the film is sharply written and crafted, lavishly photographed, impeccably acted, with lots of twists and turns — yet for all that, it somehow lacks zing. I say “somehow” because the flaw, or limitation, or whatever it is about Live by Night isn’t obvious. It’s like seeing the ghost of a terrific movie: All the pieces are in place, yet as you’re watching it (or thinking back on it afterwards), there doesn’t seem to be quite enough there there.

New York Daily News – Stephen Whitty

Although Affleck’s been a decent director – capturing real local color in Gone Baby Gone and The Town, building tension nicely in Argo – his work here is dim and dull. Live by Night may be about rum, but the pacing is like molasses. And as its glum leading man, the star never shines. He has none of the lethal charm – or dangerous unpredictability – that would make a character like this worth watching. Instead of a mobster clawing his way to the top he’s a district manager, trying to boost third-quarter profits.

Time Out – Tomris Laffly

Chock-full of sturdy fedoras, thick accents and double-crossing mobsters, the resulting film is both remarkably compelling and a bewildering mixed bag. Several impressively scaled yet disjointed set pieces span across the chilly, crime-infested streets of Boston and the swelteringly hot Florida environs overflowing with rum runners. But an overlong set up, where Affleck’s character hops in and out of prisons and hospitals one too many times, combined with several implied endings, put a mighty dent in this otherwise competent package.


IGN – Jim Vejvoda

Director-star Ben Affleck’s Live by Night boasts impeccable casting, period recreation, action set-pieces, and cinematography, but it’s marred by a disjointed narrative and some choppy pacing. It meanders, short-shrifts several key characters and subplots, and simply has too many things to juggle in two-plus hours.

Screen Daily – Tim Grierson

A gangster movie without a killer instinct, Live By Night looks resplendent in its period costumes and moody décor, but writer-director-star Ben Affleck never burrows into the genre’s knotty moral complexity or honor-among-thieves worldview.

The early consensus seems to be that Live By Night is more of a mixed bag than a truly “bad” film, which will nevertheless be disappointing for those who have enjoyed Affleck’s earlier directorial efforts. It sounds like the main story is a bit too sprawling for its two-hour runtime, and it would have benefitted from being presented in a different format, such as a cable miniseries. Critics were impressed with the high production values that capture the look of the 1920s period beautifully, but the screenplay has too many narrative and characterization shortcomings to overcome. Live By Night attempts to tackle too much at once, meaning the story isn’t as engaging as it could have been. Many are in agreement the cast are all fine in their roles, but none of the parts are truly fleshed out in a compelling way.